ALL BALL NERVE CENTER — Last week we looked at the regular-season Horry Scale in full. Now, with the playoffs in full swing, it took just at a week to have our first postseason Horry Scale entry.
What is the Horry Scale? For those who are new around these parts, the Horry Scale examines a game-winning buzzer-beater (GWBB) in the categories of difficulty, game situation (was the team tied or behind at the time?), importance (playoff game or garden-variety Kings-Pistons game?) and celebration (is it over the top or too chill? Just the right panache or needs more sauce?). Then we give it an overall grade on a scale of 1-5 Robert Horrys, the patron saint of last-second daggers.
One thing I’d like to clear up: The Horry Scale does not measure only a game-winning shot; the Horry Scale measures several facets of a Game-Winning Buzzer-Beater. So we’re talking about not only the shot, but also the play that creates the shot, the situation and the drama, the celebrations … basically, everything surrounding and including the shot. So when I gave Randy Foye a 3 Horry rating, that wasn’t only a reflection of his shot, which was admittedly remarkable, as I wrote, but also the play, which was awful. Taj Gibson’s lefty layup wasn’t the toughest shot, but that inbounds play was terrific. Basically, everything matters.
Counting the regular season, this gives us a record-setting 18 Horry Scale entries this season. Let’s take a closer look at Vince Carter‘s game-winning three in Game 3 against San Antonio from earlier today…
The corner three-pointer is supposedly the “easiest” three-pointer. Which doesn’t mean it’s easy, obviously. But it is a shorter shot than a straight-away or wing three. But what if you’re shooting from the corner and you’re fading away? And what if you’re covered as tightly as a smedium shirt by Manu Ginobili, with inches to get the shot off?
And what if you have less than 2 seconds left to release the shot? Well, add all those factors together and you’ve got a nearly impossible shot. Thing is, nobody told Vince Carter.
PLAYOFFS! PLAYOFFS! The pressure doesn’t get any higher than in the postseason. As for the play itself, Dallas had the ball down two, after Ginobili scored on the other end to give San Antonio the lead. You’d think Dallas might go either Dirk or Monta, both of whom have made visits to the Horry Scale this season. You would, however, be wrong. Because, of course, the Mavs went to Vince Carter instead…
Monta Ellis says Rick Carlisle saw how Spurs were planning on defending the last play and told Vince Carter he would knock down the shot.
To get Vince open on the inbound play, the Mavs stacked up Vince, Dirk and Brandan Wright, then ran Monta Ellis off the triple screen. As Ellis popped free at the top, Vince ducked to the corner, caught, spun and drained the shot. Good defense from Manu, better shot by Vince. Catch, spin, shot, bottom. Win.
Probably the best all-around celebration of the season. This is partially a function of it happening in the playoffs, when the intensity is already ratcheted up high. When the shot went through, the American Airlines Center went crazy. The Mavs all surrounded Vince and celebrated with him. Two other things that we should note? Right in the center of the Mavs celebration was owner Mark Cuban…
Hey, if I owned an NBA team and we won a playoff game on a last-second shot, I’d be up in that celebration, too.
Also, as the Mavs celebrated, we got a quick glimpse at stoic Popovich…
This is when it all counts. Heckuva situation, heckuva shot. As far as a grade, this one really had it all. I was thinking somewhere between 4 and 5 Horrys. And you know what? We’re going with 5 Horrys for this one, our first five Horry shot of the season…
Now it’s your turn! How many Horrys would you give Vince Carter’s shot?
ALL BALL NERVE CENTER — There’s a scene in the recent movie The Wolf of Wall Street where Matthew McConaughey welcomes Leonardo DiCaprio to his first job on Wall Street by asking Leo to join him in a tribal chant right there at the lunch table in a nice restaurant. It’s a chant probably more fitting for a sports venue, so the Dallas Mavericks have put together their own version and hashtagged it “#MAVSCHANT,” and asked fans to record and share their own versions.
For now, here’s Dirk and the fellas giving it their best…
ALL BALL NERVE CENTER — This weekend the NCAA Tournament will follow in the steps of the 2010 NBA All-Star Game and be held in Dallas, at the gargantuan AT&T Stadium. So while the eyes of the sporting world pay attention to Texas, Conan O’Brien moved his late night show to the Lone Star State for the week. Last night, after Conan mentioned how well he felt he was getting to know Texas, Dirk Nowitzki popped out to quiz Conan on his Texas knowledge…
Welcome to Throwback Thursday here on the All Ball Blog. Each week, we’ll delve into the NBA’s photo archives and uncover a topic and some great images from way back when. Hit us up here if you have suggestions for a future TBT on All Ball. Suggestions are always welcome!
ALL BALL NERVE CENTER — In this video from the Dallas Mavericks, why is Devin Harris playing Ferris Bueller? Why is Dirk Nowitzki in the role of Principal Rooney? And is that Monta Ellis as Cameron Frye? Really, more questions than answers here, but still, this is the latest in a long line of great videos from the Dallas Mavericks…
ALL BALL NERVE CENTER — Juuuust when you thought we were out, they go and pull us back in. The season may be just past the halfway mark, but our record-setting pace is continuing, as tonight Dirk Nowitzki did his dagger-shooting thing to beat the Knicks at Madison Square Garden.
Before we get too far into this, we should stop and explain why we’re here: What is the Horry Scale? For those who are new around these parts, the Horry Scale examines a game-winning buzzer-beater (GWBB) in the categories of difficulty, game situation (was the team tied or behind at the time?), importance (playoff game or garden-variety Kings-Pistons game?) and celebration (is it over the top or too chill? Just the right panache or needs more sauce?). Then we give it an overall grade on a scale of 1-5 Robert Horrys, the patron saint of last-second daggers.
One thing I’d like to clear up: The Horry Scale does not measure a game-winning shot; the Horry Scale measures several facets of a Game-Winning Buzzer-Beater. So we’re talking about not only the shot, but also the play that creates the shot, the situation and the drama, the celebrations … basically, everything surrounding and including the shot. So when I gave Randy Foye a 3 Horry rating, that wasn’t only a reflection of his shot, which was admittedly remarkable, as I wrote, but also the play, which was awful. Taj Gibson’s lefty layup wasn’t the toughest shot, but that inbounds play was terrific. Basically, everything matters.
We all clear? OK, let’s break this shot down…
DIFFICULTY I feel like this is the part of this play that will be most overlooked. Yes, it was just a jump shot, and as far as play designs go, it wasn’t exactly the most complex play Rick Carlisle has ever inked out. But man was that a hard shot. I mean, if Carmelo Anthony was any closer to Dirk he could have untied his shoes. Dallas got the ball in to Dirk at top of key with the score tied at 108 and just 7.3 seconds left to play. Dirk caught the ball with his back to the basket, singled up against ‘Melo. Using his left foot as a pivot, Dirk rotated a full 360 degrees while ‘Melo sniped at the ball. He finally dribbled one time with his left hand, and jabbed his right foot forward just a bit to create a few inches of space. And with Carmelo basically chest-to-chest, Dirk raised up and released that textbook jump shot over ‘Melo with just under 2 seconds remaining. The ball hit the glass, the front of the rim, popped up into the air, and then gently settled back into the bucket. Again, not the most aesthetically pleasing play, but good grief what a tough shot.
GAME SITUATION This was perhaps an even tougher pill for Knicks fans to swallow because of the game situation. After being a mostly back-and-forth affair all evening, the Mavs seized the lead down the stretch. But give the Knicks credit for clawing back, mostly behind 44 points from ‘Melo. Down 6 with 1:12 to play, the Knicks got a three-point play from Chandler, a steal, and a three from Melo to tie the game at 108. Dallas had won 9 of 12 coming in, including two straight on the road. With the Knicks still clinging to hopes of getting into the playoffs, tonight was the kind of game they really had to win. To lose on a shot that bounced all over the rim before dropping in must be tough. But then, the Knicks have been on the other side of a similar situation before, right Allan Houston?
CELEBRATION Dirk seemed to mostly keep his cool, because this ain’t Dirk’s first time at the big shot rodeo. I loved the way Jose Calderon took off on a sprint up the court as the shot went through, and he grabbed Dirk in a bear hug to celebrate. Also, of late I’ve tried to incorporate fan reaction into the ratings, and Knicks fans did not disappoint, as you can see several of them with their hands to their heads in the background as the shot drops through.
So it may not have been the best play design, but it was still a tough shot. It may not have been the most momentous game, or the most spirited reaction, but all together it was a pretty good play. So I’m going to go with three Horrys for this one…
What say you? How many Horrys would you give Dirk Nowitzki’s GWBB?
ALL BALL NERVE CENTER — Knicks guard J.R. Smith is very many things. A scorer, for sure. Dynamic? OK! Mercurial? Well, yep. Maddening? At times. Surprising? Nearly always.
Perhaps a good word to describe Smith is entertaining, because you’re never quite sure what he’s going to do, on or off the court, but no matter what it is, it’s pretty entertaining.
Take last night’s game against the Mavericks. A few minutes before halftime, Smith checked into the lineup for the Knicks, while Dirk Nowitzki was at the free throw line. J.R. lined up along the lane next to Shawn Marion, and for reasons known only to J.R., he casually reached down and untied Marion’s left sneaker. Is this a new level of subterfuge previously unseen? It didn’t seem to have much long-term effect.
So why did he do it? I guess the best explanation is, it’s a J.R. Smith thing.
ALL BALL NERVE CENTER — I can not tell a lie: It has been a season of highs and lows here at Horry Scale Central. We began the season with three Game-Winning Buzzer-Beaters within seven days, a flurry of activity to make even the most jaded NBA watcher’s head twirl. This required me to write three Horry Scale posts in succession, which turned out to be a controversial endeavor. Folks weren’t happy with my rating of the Jeff Green GWBB, which kept me up very late at night, triggering some difficult and genuine soul searching, at least as far as you know. Since then I have perhaps tried to overcorrect with some of my other ratings, a maneuver that has in no small part generated its own share of controversy, and which has caused something of an existential Horry Scale crisis.
But I digress. Before we get too far into this, we should stop and explain: What is the Horry Scale? For those who are new around these parts, the Horry Scale examines a game-winning buzzer-beater (GWBB) in the categories of difficulty, game situation (was the team tied or behind at the time?), importance (playoff game or garden-variety Kings-Pistons game?) and celebration (is it over the top or too chill? Just the right panache or needs more sauce?). Then we give it an overall grade on a scale of 1-5 Robert Horrys, the patron saint of last-second daggers.
With the rules in place, Today we turn our tired eyes to the lovely Pacific Northwest. Let’s check out last night’s game-winner from Monta Ellis…
Monta Ellis has made tougher shots in his career, probably even in this game. This was basically a catch-and-shoot on a curl coming around a screen, a shot Ellis has taken thousands of times in his life. And Ellis made a clean catch, swung around the screen, and had a wide open look at the basket. And yes, he drained the shot, so kudos to him. To me the most interesting thing on this play was that the Blazers did not switch defenders on the screen. In the NBA, for the most part defenders always switch on picks in the last few seconds of a game, and particularly on an inbounds play. This is not only easy for the players on the floor to remember, in a more general sense it means defenders are always running at the ball when there are only seconds to play. But as Ellis came around the series of screens, Portland’s Wesley Matthews tried to stay with him, with no real help waiting for him. (As my main man Ben Golliver reports on Blazers Edge, Portland had decided before the play to only switch guard-on-guard screens. Dallas’ other guard on the floor was Jose Calderon, who was inbounding the ball, so the Blazers all knew there would effectively be no switching.) By the time Ellis caught the pass, curled around the pick from DaJuan Blair and popped free at the top of the key, Portland’s best defensive option may have been LaMarcus Aldridge, who was flat-footed about six feet away from Ellis. Matthews made a last-second swipe at the ball from behind while trying to recover, but he couldn’t make a difference.
What you don’t see in the clip above is the clutch three-pointer Lillard made to tie the game with 1.9 seconds remaining. That play was set up by a Dallas turnover from, you guessed it, Monta Ellis. So in many ways this GWBB was about redemption for Monta. Still, once Dallas got the ball with the game tied, it seemed like it would probably be Dirk Nowitzki time, right? Even in the video above, as the Mavs line up for the play, you can hear Portland analyst Mike Rice note, “Watch [DaJuan] Blair set a pick for either Vince Carter or Dirk.” So Dallas coach Rick Carlisle using the situation to run a play for Ellis was not only in retrospect a wise choice, it was crafty, as well.
This was big on both sides. The Blazers had been riding a four-game winning streak, and had amassed eight straight wins at home. The crowd in Portland, which is always among the best in sports, was rowdy and sold out, twenty-thousand strong. The Mavs, meanwhile, after an offseason that was quieter than most expected, have been something of a mild surprise this season, bobbing along a couple of games above .500. Any road win in the NBA is a good thing, but a road win over the best team in the Conference is always a great thing.
The Mavs seemed really fired up by Ellis’ shot, surrounding him and grabbing him. Also, I’m pretty sure someone ran off the Dallas bench and hit Ellis with a large cushion at about the 19-second mark of the video. I particularly enjoyed this facet of the celebration: The cushion bash needs to become a regular part of post-shot celebrations.
I think we can all agree that the degree of difficulty wasn’t through the roof, at least just as a jump shot, in a bubble. But all the other parts of this play — Ellis’ earlier turnover, Lillard’s game-tying three moments earlier, Portland’s home win streak, Dallas’ execution on the final play — give added weight to the play. This is one of those situations where I wish we had half-Horrys to award, because I really feel like this is a 3.5 Horry Play. Should I round up or down? That’s another discussion for another day. In this case, I’m going with four Horrys, because for me the post-shot cushion bash lifts it from three to four…
That’s my take. How many Horry’s would you give the Monta Ellis game-winner?
So far this season, the Mavs have tried to pump up excitement for their team by going to two pop culture wells: doing a tie-in with a current pop song (i.e. the Norwegian comedy duo Ylvis’ “The Fox (What Does The Fox Say?)”) and doctoring movie footage (the Hulk gets his Mavs-colored tint on in a scene from “The Avengers”). Not to let too much time pass between viral videos, the Mavs are going to the music well again. This time, they’re offering up a cover of The Beatles’ classic, “All You Need Is Love”, with a version of their own: